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Michael Ayrton (1921-1975) – Green Head II (Persephone)

Michael Ayrton (1921-1975)

Green Head II (Persephone)

Acrylic on canvas

Signed and dated 1966 upper right, titled verso

Provenance: Grosvenor Gallery, 1967

Within a hessian and painted wood frame

Canvas size: 30cm x 40cm

Frame size: 39cm x 49cm

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Description

Michael Ayrton was an English artist and writer, renowned as a painter, printmaker, sculptor and designer, and also as a critic, broadcaster and novelist. His varied output of sculptures, paintings, illustrations, poems and stories revealed an obsession with flight, myths, mirrors and mazes.

Ayrton was also a stage and costume designer, working at the age of nineteen, with John Minton on the 1942 John Gielgud production of Macbeth, and a book designer and illustrator for Wyndham Lewis’s The Human Age trilogy. An exhibition, ‘Word and Image’ (National Book League 1971), explored Lewis’s and Ayrton’s literary and artistic connections. He also collaborated with Constant Lambert and William Golding.

Ayrton was born Michael Ayrton Gould, son of the writer Gerald Gould and the Labour politician Barbara Ayrton, and took his mother’s maiden name professionally. His maternal grandmother was the electrical engineer and inventor, Hertha Marks Ayrton. In his teens during the 1930s he studied art at Heatherley School of Fine Art and St John’s Wood Art School, then in Paris under Eugène Berman, where he shared a studio with John Minton. He travelled to Spain and attempted to enlist on the Republican side in the Spanish Civil War, but was rejected for being under-age.

Beginning in 1961, Michael Ayrton wrote and created many works associated with the myths of the Minotaur and Daedalus, the legendary inventor and maze builder, including bronze sculpture and the pseudo-autobiographical novel The Maze Maker (Holt, Rinehart and Winston, 1967). He also wrote and illustrated Tittivulus Or The Verbiage Collector, an account of the efforts of a minor devil to collect idle words. He was the author of several non-fiction works on fine art, including Aspects of British Art (Collins, 1947).

Michael Ayrton died in 1975.

In 1977, Birmingham Museum and Art Gallery organised a major retrospective exhibition of his work which subsequently went on tour.

His work is in several important collections including the Tate Gallery, London, National Portrait Gallery, London, Museum of Modern Art, New York, Fry Art Gallery, Essex, Yorkshire Sculpture Park, Arts Council Collection, Manchester Art Gallery, Southampton City Art Gallery, Jerwood Collection, Abbot Hall Art Gallery, The Ingram Collection of Modern British and Contemporary Art, Goverment Art Collection, British Council Collection, Victoria Art Gallery, Bath, Northampton Museum and Art Gallery, Salford Museum & Art Gallery, Royal Air Force Museum, Hendon, Ferens Art Gallery, The Fitzwilliam Musuem, Aberdeen Art Gallery.

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